Warren beatty dating
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Former child star Wood was 23, lover boy Beatty was 24 — and their hookup was a recipe for disaster!
His first movie part, opposite Natalie Wood in 1961’s “Splendor in the Grass,” made him a household name.
Biskind was never under any illusions about his status vis-à-vis Beatty in Hollywood’s peerage — he writes about the thrill he felt when Beatty first acknowledged his existence on the set of “Dick Tracy” by balling up a piece of gum and shooting it in his direction — but he surmised, since the notion of collaborating on a book partly belonged to the actor, that on this project he had been greenlighted.
By reversing himself and denying significant access, Beatty has done a disservice to them both. Design; photographs from Everett Collection (Beatty), Getty Images (2, 5, 7, 8, 9, 10, 11, 12, 13, 14, 15 and 16), Photofest (1), Metro-Goldwyn-Mayer (3), Turner Classic Movies (4) and Associated Press (6) We open on a scene that Beatty must recall fondly: a summertime dinner in 1959, at the power restaurant La Scala on Little Santa Monica in Beverly Hills.
Beatty, 22, has a perch in town by virtue of his position as Shirley MacLaine’s brother but few acting credits to his name.
He is dining with Jane Fonda — in his first icky aside in a book teeming with them, Biskind lingers over her competence at a sex act wherein she became “like a python” — but Beatty’s attention wanders when he peeps Joan Collins, 26, at another table.
He’s had relationships with Julie Christie, Diane Keaton and Leslie Caron, and was rumored to be linked with, well, a lot of beautiful women. But as Rocca learned when he sat down with him at the American Film Institute in Los Angeles, Warren Beatty isn’t the easiest person to interview.“Did you have mentors early on? “I got to meet a generation of producers, and directors, and screenwriters, and actors, and actresses that I learned a lot from.”“Does anyone spring to mind as somebody that really taught you something? In “Rules Don’t Apply,” he plays the famously secretive billionaire Howard Hughes, though the film centers on an aspiring actress from Virginia and her driver -- both church-going small towners -- who struggle to keep their religious values intact in 1958 Hollywood.
Frank: “She still believes that once you’ve been intimate, or gone all the way, with a person, in the eyes of God you’re committed to that person.”Marla: “I agree with Sarah. That’s why I’m waiting, because I have to be sure.”Beatty himself was raised Southern Baptist in Virginia before coming to Hollywood in the late ‘50s.His first scalp was the (gay) playwright William Inge, author of “Come Back, Little Sheba” and “Picnic,” who hoped to cast him in the part of a man so sexually confident that “he feels a wreath has been hung on his penis.” Soon, he secured an audience with Clifford Odets at Romanoff’s restaurant on Rodeo Drive, and bonded with Elia Kazan, who gave him his first big break, “Splendor in the Grass.” He impressed them with his intelligence, but he liked playing the pretty boy too.From a young age, he maintained a diet of soy burgers and carrot juice, washed his hair with a six-pack of beer, and even separated his eyelashes with a pin before shooting a scene (for sex, he pumped up his thyroid with vitamins) — and he didn’t care who knew it.Rocca asked, “One of the characters in the movie says, ‘Once you’ve been intimate, you’re married.’ Was that your understanding when you were growing up?”“I would say that as a teenager, I was all over the lot,” Beatty replied.And so I wanna be very clear about what I say, and I have learned in my long period of being -- what’s the word, famous or well-known?